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This vase comes from the same applewood as its sibling, gifted by a tree surgeon, carved with reverence. A single crack once ran through its side, now filled with brass. Not to fix it. To finish it. The essence of Kintsugi.
The contrast between wood and metal here is gentle … the brass line doesn’t demand attention; it earns it. It’s quiet, like a scar turned soft over time. The grain folds inward around it, as if holding it close.
This is a piece about gentleness in the repair.
About beauty that asks for nothing … not even to be noticed.
But still glows, just a little, in the right light.
Applewood - 7 Inches
This vase comes from the same applewood as its sibling, gifted by a tree surgeon, carved with reverence. A single crack once ran through its side, now filled with brass. Not to fix it. To finish it. The essence of Kintsugi.
The contrast between wood and metal here is gentle … the brass line doesn’t demand attention; it earns it. It’s quiet, like a scar turned soft over time. The grain folds inward around it, as if holding it close.
This is a piece about gentleness in the repair.
About beauty that asks for nothing … not even to be noticed.
But still glows, just a little, in the right light.
Applewood - 7 Inches
This vase comes from the same applewood as its sibling, gifted by a tree surgeon, carved with reverence. A single crack once ran through its side, now filled with brass. Not to fix it. To finish it. The essence of Kintsugi.
The contrast between wood and metal here is gentle … the brass line doesn’t demand attention; it earns it. It’s quiet, like a scar turned soft over time. The grain folds inward around it, as if holding it close.
This is a piece about gentleness in the repair.
About beauty that asks for nothing … not even to be noticed.
But still glows, just a little, in the right light.
Applewood - 7 Inches