Named after the fungal scars that sometimes mark olive trees, Phomopsis Rise embraces damage as design. This piece was carved from salvaged olivewood, where a darkened void at the base serves as both origin and wound. From it, clean geometric cuts ascend the surface. Radiating lines that evoke growth rings, leaf veins, or tectonic shifts.
The result is a vessel that feels both organic and architectural. Grounded by decay, yet striving upward. It belongs to the Linearity Series, a collection where carved lines do not adorn but reveal, tracing the tension between order and entropy.
Named after the fungal scars that sometimes mark olive trees, Phomopsis Rise embraces damage as design. This piece was carved from salvaged olivewood, where a darkened void at the base serves as both origin and wound. From it, clean geometric cuts ascend the surface. Radiating lines that evoke growth rings, leaf veins, or tectonic shifts.
The result is a vessel that feels both organic and architectural. Grounded by decay, yet striving upward. It belongs to the Linearity Series, a collection where carved lines do not adorn but reveal, tracing the tension between order and entropy.
